Pivot to the Future: How to be an Artist in the 2020s
17 January 2022
8PM – 9PM SGTWatch on the S.E.A. Focus YouTube Channel
Click here to view this Zoom Webinar.
Artists talk about the different approaches to studio practice and other activities that support them.
What are the best approaches to gaining an education, and how do you start your career? How do artists maintain international networks? How engaged should an artist be within their community, or should they focus on building a larger network of followers and collectors?
In this talk, 21st-century artists share their experiences in navigating the international arts scene – forming and maintaining networks, developing strong audience bases, and adapting to new digital marketing strategies through social media.
Tammy Nguyen, Tropical Futures
Tammy Nguyen is a multimedia artist whose work spans painting, drawing, printmaking, and publishing. Intersecting geopolitical realities with fiction, her practice addresses lesser-known histories through a blend of myth and visual narrative. She is the founder of Passenger Pigeon Press, an independent press that joins scientists, journalists, creative writers, and artists to create politically nuanced and cross-disciplinary projects.
Born in San Francisco, Nguyen received a BFA from Cooper Union in 2007. The year following, she received a Fulbright scholarship to study lacquer painting in Vietnam, where she remained and worked with a ceramics company for three years thereafter. Nguyen received an MFA from Yale in 2013 and was awarded the Van Lier Fellowship at Wave Hill in 2014. She has exhibited at the Rubin Museum, The Factory Contemporary Arts Centre, the Bronx Museum, Five Myles, and other institutions.
Her work is included in the collections of Yale University, the Philadelphia Museum of Art, MIT Library, the Seattle Art Museum, the Walker Art Center Library, and the Museum of Modern Art Library. She is an Assistant Professor of Art at Wesleyan University.
Nawin Nuthong, Bangkok CityCity Gallery
Nawin Nuthong is a Thai contemporary artist and curator exploring the connections between history and cultural media through a wide range of mediums. Melding myths and legends with pop-cultural references from video games, comics, and film, he examines the role technology has to play in reconfiguring the learning and understanding of history.
He is a graduate from King Mongkut’s Institute of Technology Ladkrabang with a major in film studies and digital media. His recent presentations with Bangkok CityCity Gallery include, The Immortals Are Quite Busy These Days (2020), A Room, Where They Are COEVALs [Precise at a dig site door] (2021), and Heaven Crumbles: The Marvellous Misadventures of Sudsakorn (2021). Nawin will also be participating in the upcoming edition of the Bangkok Art Biennale 2022: ‘CHAOS : CALM’.
Dawn Ng, Sullivan+Strumpf
Dawn Ng is a multi-hyphenate visual artist, who has worked across a breadth of mediums, motives and scale, including sculpture, photography, light, film, collage, painting and large scale installations. Her practice deals with time, memory and the ephemeral.
Her latest and ongoing body of work, Into Air continues Ng’s preoccupation with time and her attempts to capture and convey its emotional tenor and elasticity, as opposed to the cold and factual progression of numerals commonly used to tell and record time. ‘Into Air’ is a ‘cycle’, charting the lifespan of a block of frozen pigments as it is exposed to the elements, melts, and then returns to air. The works are all traces and residues of each block’s existence and record the movement of its states from solid to liquid, and eventually to air: from weight to lightness, monumentality to nothingness.
Arin Dwihartanto Sunaryo, ROH Projects
Arin Dwihartanto Sunaryo was born in 1978, in Bandung, Indonesia. He studied fine art at Bandung Institute of Technology, graduating in 2001, and earned an MFA from Central Saint Martins College of Art and Design, London, in 2005.
Sunaryo is dedicated to painting, pushing its boundaries with innovative techniques. He distills a passion for comic books, science fiction, and Japanese manga into abstract compositions animated by dynamic gesture, entropic progression, and alternating centrifugal and centripetal forces that gather and disperse pigments over the surface of his paintings. Rejecting the paintbrush in favor of direct application with his hands, Sunaryo then moved on to industrial methods.
In 2008, his impatience with the prolonged drying time of oil paint, further protracted by the layered density of his application, led him to experiment with pigmented resin, which has become his signature material. In its natural, plant-derived form, resin connects with age-old methods of preservation, notably used in ancient Egyptian mummification and varnishes. Sunaryo uses synthetic resins to cast sleek, futuristic objects, combining the traditional and contemporary significance of this material with the aesthetic heroism of Abstract Expressionism.
Moderator: H.G. Masters, Deputy Editor & Deputy Publisher, ArtAsiaPacific